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Pearl Inlay Headstock by David Nichols
David Nichols
Letters
Jim Hatlo, Debbie Suran, Richard Mermer, Curt Carpenter, Richard Keegan, Ervin Somogyi, Jeff Gibbs
Kit Snit
Chris Pile
The Last Word on Kits
George Risanzi
Member Spotlight—Jerry Viel
Jerry Viel
Member Spotlight—Chris Foss
Chris Foss
Member Spotlight—Ray Fairchild
Ray Fairchild
Member Spotlight—Alfred Perry
Alfred Perry
Member Spotlight—Chuck Erickson
Chuck Erickson
Member Spotlight—Ted Beringer
Ted Beringer
Rick Turner's Phone Correction
Corrections to #16
More on 12 & 14 Fret Design
Richard Mermer
Maccaferri Revisited
Paul Hostetler
What Should You Charge?
William Cumpiano
Neck Resetting Alternatives
Bob Gleason
Q&A
James Chiafon
JK Lutherie
JK Lutherie
Finger Planes
Bob Benedetto
Big Creek Wood Products
John Knecht
More on Fossilized Walrus Ivory
Tom Ellis
New Warmoth Catalog
Warmoth Guitar Products
CITES Teaty
Association of Vintage Instrument Dealers Formed
Carlo Balistrieri
Filling with Durham's Putty
John Gilbert
Nuts to You
Douglas Baldwin
Fixturing Methods
Arnold Henning
Unique Approaches to Banjo Carving
Tom Ellis
Evaluating Electronic Tuners
Douglas Baldwin
Education Update
Steve Szymanski
Gilbert Tuning Machines
William Cumpiano
The 1992 Lost Mountain Kasha Design Seminar
Sylvan Wells
The Mystery of the Aging and Well-played Guitar
Dr. Dan hayes
Takin' Care of Business
Stan Werbin
Dead Threads
Woody Hochswender
The Art Market
The Lighter Side
David A. Lusterman, Dick Boak
The Princess Trees
Grit Laskin
A Compliange Guide to Exporting Pre-CITES Musical Instruments Containing Brazilian Rosewood
James M. Goldberg
Fretless Bass by Jim Boesel
Jim Boesel
